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AD 161 | Ludovic Nkoth
“On Identity And Representation”


On October 16, 1994, Ludovic Nkoth (LNkoth) was born in Cameroon, West Africa. Growing up in African, Ludovic learned to express himself creatively at a very young age. Through his vibrant use of color and ability to capture life through a distinct lens, Ludovic’s past time was consumed with rough sketches of the beautiful cities of Cameroon.


Ludovic’s work is heavily informed by the events in his life which led him to move, as a young boy of 13 years old, from his native Cameroon to the United States. Leaving his birth-mother and family, the young man found solace and comfort in the creative process while being raised primarily as a stranger in a strange land. It wasn’t until he migrated to the united states that he began to reconsider his own culture as a catalyst to locate his identity. For Ludovic, who learned to speak English as a teenager in a world completely alien to him, still – at times – finds himself displaced in his adopted country. In the states, he is viewed as an African, but in Africa, he is viewed American – leaving the passionate young artist in a sort of ambiguous and cyclical displacement of identity. Given the contentious issues of identity, patriotism, Confederate ideologies and racial bias growing in the States at the time of this writing, the paintings and his perspective seem of increasing relevance.

As such, the work presents a complex but highly personal investigation of a very personalized view of Africa; his family history; and the cultures, traditions, and ideas of Africa and its diaspora pre-and post-colonialism. They are approached with a type of naive brusqueness, an immediacy and boldness of colour that suggests both a passion and sense of discovery. African symbols such as masks, patterns, and other symbols of identity and culture remain consistent throughout. He states that through creation, the works attempt to “regain the things that were taking away from [his] people. Things such as power, culture, the idea of self and the idea of being black and proud.”


Show Notes:
  • Film by Werner Herzog “Cave of Forgotten Dreams”
  • The origins of creativity
  • Growing up in Cameroon and moving to the US at the age of 13
  • Meeting artist Kerry James Marshall
  • Identity
  • The civil war in his native country of Cameroon
  • Loving one’s self
  • Understanding traditional “voodoo” practices in Africa versus the demonization of “voodoo” by European settlers
  • Comparing the historical colonization patterns of the United States and Africa
  • The importance of preserving Cameroonian traditions
  • Clarity through the COVID-19 pandemic and quarantine
  • Political structures in Cameroon


www.lnkoth.com

Posted 06.08.2020




About

"I started this series as a means for exploration, an exploration of self, and an exploration of the perspectives of other artists.

This series is an unabridged documentation of conversations between artists. It’s a series dedicated to breaking down the barriers we tend to set up in our own minds. I want to inspire future creatives to have the courage to explore and experiment. This is about making dreams a reality and not about letting our dreams fall to the wayside.

My intention is to give my audience a sense of real human connection, something that feels rich and organic.

When I was thinking of a title I thought of the word “movement”.

In relation to the Renaissance period in art, my goal for this program is to signify a rebirth of consciousness towards the way we look at contemporary art."

- Yoshino
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