AD 77 | Zola Jesus
“Okovi”

Nika Roza Danilova has been recording and performing as Zola Jesus for more than a decade. As a classically trained opera singer with a penchant for noisy, avant-garde sounds, she launched her career with a series of lo-fi releases that pitted her soaring vocals against harsh industrial clatter and jittery synths. The signature Zola Jesus sound became more hi-fi as she began to explore her own skewed vision of pop music on releases like Stridulum, Valusia, and Conatus. With the release of Conatus, Danilova was propelled to regular appearances on festival stages all around the world, as well as a special performance at the Solomon R. Guggenheim Museum in New York. That era culminated in the release of Versions, a collection of string quartet interpretations of her most beloved work, conducted by J.G. Thirlwell (Foetus). That album and subsequent tour were followed by her most hi-fi outing to date, Taiga. Now, coinciding with her return to both the Wisconsin woods in which she was raised and her longtime label, Sacred Bones Records, Zola Jesus has produced Okovi, her darkest album yet. It is, in Danilova’s words, “a deeply personal snapshot of loss, reconciliation, and a sympathy for the chains that keep us all grounded to the unforgiving laws of feral nature.”

Show Notes:
  • Depression
  • Dissecting sections of her creative process from an emotional and technical standpoint
  • Creative resourcefulness
  • Identity
  • Her thoughts on constructing honest lyrics
  • Yoshino and Zola Jesus’s collaboration together
  • Kindred spirits in collaborative creative partners
  • Exploring morbid curiosities and ideas surrounded around death
  • Understanding human suffering
  • Collaborating with David Lynch
  • Finding your own path
  • Resilience through failure

www.zolajesus.com

Posted 07.30.2017




About

"I started this series as a means for exploration, an exploration of self, and an exploration of the perspectives of other artists.

This series is an unabridged documentation of conversations between artists. It’s a series dedicated to breaking down the barriers we tend to set up in our own minds. I want to inspire future creatives to have the courage to explore and experiment. This is about making dreams a reality and not about letting our dreams fall to the wayside.

My intention is to give my audience a sense of real human connection, something that feels rich and organic.

When I was thinking of a title I thought of the word “movement”.

In relation to the Renaissance period in art, my goal for this program is to signify a rebirth of consciousness towards the way we look at contemporary art."

- Yoshino
Contact

info@artistdecoded.com